# Your best work, in their language.

You already did the hard part. One video or lesson in sixteen languages, your own community judges each one first, then a rollout you can measure, until your work is quoted back to you in a language you do not speak and you made no new video for it. Then the whole catalogue follows, and nothing lands on your team. Two scoped pilots for creators who already earn from their work. The first step is a fit review, answered by email.

[Request a fit review](/enquire/)

[Watch the proof](/example/)

The invisible audience

## Most of the world never got the choice.

The people who would love your work cannot find it, and that has been true since your first upload. They did not skip your videos. They never saw them, because the title, the description and the thumbnail were never written for them. Your audience is English-speaking because that is the only audience you have ever been visible to. It is not evidence of preference. It is evidence of the constraint.

The videos are made, published and paid for. A pilot takes one of them into sixteen languages, and your own community judges each one before anything wider happens. You are not buying a service. You are stopping a leak.

[See what YouTube says](#what-the-platform-says)

On the record

## Said in public, about YouTube.

> So 70% of my audience on YouTube don’t speak English

MrBeast, on YouTube’s multi-language audio and his own channels, 28 March 2025. [Fortune](https://fortune.com/2025/03/28/mrbeast-advice-mark-zuckerberg-meta-video-dubbing/)

> on average, creators uploading Multi-language Audio tracks to their videos saw over 25% of their watch time come from views in the video’s non-primary language

YouTube, on its multi-language audio feature, 10 September 2025, figure as of July 2025. [YouTube Official Blog](https://blog.youtube/news-and-events/multi-language-audio/)

> On average, over two-thirds of a creator's audience watch time comes from outside of their home area.

YouTube, in its Help Centre on translation tools, retrieved 11 September 2026. [YouTube Help](https://support.google.com/youtube/answer/4792576)

MrBeast and YouTube have no connection to VelociDub. Each statement describes YouTube’s multi-language audio feature or the speaker’s own channels, and is quoted from the source linked beside it.

The proof

## Real files, in plain sight.

Sintel, Blender Foundation, CC BY 3.0. Original English audio, not dubbed. Publisher-distributed subtitles in English, Spanish and French, 7 cues retimed to the excerpt. Draft metadata in each language, not human-reviewed.

We show it this way because a package you can open is worth more than a claim you cannot. Play it, switch the language, download the files. It shows caption and metadata packaging in three languages, nothing more, and nothing here is a pilot result.

Original English audio · not dubbed

Sintel (2010), Blender Foundation. Original recorded voices, not dubbed, no cloned or replacement voice. Publisher-distributed English, Spanish and French subtitles, excerpted and retimed with documented punctuation and line-wrap edits. Not VelociDub translation work, not human-reviewed, not client work. © copyright Blender Foundation | durian.blender.org. [CC BY 3.0](https://creativecommons.org/licenses/by/3.0/). [Sources, changes and rights](/rights/).

Before · English draft

Sintel | Searching for a dragon

Thumbnail text: Searching for a dragon

After · Spanish draft

Sintel | En busca de un dragón

Thumbnail text: En busca de un dragón

Sintel | À la recherche d'un dragon

Thumbnail text: À la recherche d'un dragon

Metadata: draft, not human-reviewed

### English transcript and draft metadata

English captions · clip-relative times · 7 cues

| Cue | Start to end | Words |
| --- | --- | --- |
| 01 | 00:00.500–00:02.000 | So... |
| 02 | 00:02.400–00:06.800 | What brings you to the land of the gatekeepers? |
| 03 | 00:08.000–00:10.500 | I'm searching for someone. |
| 04 | 00:11.000–00:15.200 | Someone very dear? A kindred spirit? |
| 05 | 00:16.400–00:18.000 | A dragon. |
| 06 | 00:21.850–00:24.750 | A dangerous quest for a lone hunter. |
| 07 | 00:25.950–00:28.870 | I've been alone for as long as I can remember. |

English metadata · draft, not human-reviewed

| Field | Draft text |
| --- | --- |
| Title | Sintel \| Searching for a dragon |
| Description | A 29-second excerpt from Sintel (2010), Blender Foundation, CC BY 3.0. Original English audio, not dubbed. Publisher-distributed English subtitles, excerpted and retimed. A subtitle and metadata packaging demonstration, not client work. Metadata is a draft, not human-reviewed. |
| Thumbnail text | Searching for a dragon |

### Español transcript and draft metadata

Español captions · clip-relative times · 7 cues

| Cue | Start to end | Words |
| --- | --- | --- |
| 01 | 00:00.500–00:02.000 | Entonces... |
| 02 | 00:02.400–00:06.800 | ¿Qué te trae a la tierra de los guardianes? |
| 03 | 00:08.000–00:10.500 | Estoy buscando a alguien. |
| 04 | 00:11.000–00:15.200 | ¿Alguien muy querido? ¿Un alma gemela? |
| 05 | 00:16.400–00:18.000 | Un dragón. |
| 06 | 00:21.850–00:24.750 | Una aventura peligrosa para una cazadora solitaria. |
| 07 | 00:25.950–00:28.870 | He estado sola desde que tengo memoria. |

Español metadata · draft, not human-reviewed

| Field | Draft text |
| --- | --- |
| Title | Sintel \| En busca de un dragón |
| Description | Un fragmento de 29 segundos de Sintel (2010), Blender Foundation, CC BY 3.0. Audio original en inglés, sin doblaje. Subtítulos en español distribuidos por el editor, extraídos y resincronizados con ajustes de formato documentados, sin revisión humana. Demostración de un paquete de subtítulos y metadatos, no un trabajo para un cliente. Metadatos en borrador, sin revisión humana. |
| Thumbnail text | En busca de un dragón |

### Français transcript and draft metadata

Français captions · clip-relative times · 7 cues

| Cue | Start to end | Words |
| --- | --- | --- |
| 01 | 00:00.500–00:02.000 | Alors... |
| 02 | 00:02.400–00:06.800 | Qu'est-ce qui t'amène sur la terre des gardiens ? |
| 03 | 00:08.000–00:10.500 | Je recherche quelqu'un. |
| 04 | 00:11.000–00:15.200 | Quelqu'un de très cher ? Une âme sœur ? |
| 05 | 00:16.400–00:18.000 | Un dragon. |
| 06 | 00:21.850–00:24.750 | Une quête dangereuse pour une chasseresse solitaire. |
| 07 | 00:25.950–00:28.870 | J'ai été seule aussi longtemps que je m'en souvienne. |

Français metadata · draft, not human-reviewed

| Field | Draft text |
| --- | --- |
| Title | Sintel \| À la recherche d'un dragon |
| Description | Un extrait de 29 secondes de Sintel (2010), Blender Foundation, CC BY 3.0. Audio original en anglais, non doublé. Sous-titres français distribués par l'éditeur, extraits et recalés avec des modifications de mise en forme documentées, sans relecture humaine. Démonstration d'un ensemble de sous-titres et de métadonnées, pas d'un travail pour un client. Métadonnées à l'état de brouillon, sans relecture humaine. |
| Thumbnail text | À la recherche d'un dragon |

Download the packages

Each ZIP holds the same original English clip, that language's SRT and VTT captions, the draft metadata, attribution and a README. Choosing a caption language never changes the audio.

- [English package ZIP · 4.45 MB](/downloads/sintel-demo-en-e4975087.zip)

- [Español package ZIP · 4.45 MB](/downloads/sintel-demo-es-65ad3ae7.zip)

- [Français package ZIP · 4.45 MB](/downloads/sintel-demo-fr-11d22f74.zip)

[Open the full proof](/example/)

The mechanism

## Found. Understood. Watched to the end.

### Found

A localised title, description and thumbnail text decide whether anyone finds the video at all. YouTube says its search systems read translated titles and descriptions, and localised thumbnails are a shipped feature for long-form video. They are written for each audience, not translated from the English.

### Understood

Captions timed to the cut, not to the sentence, so the eye returns to the picture. Terminology is decided once, in a glossary agreed with you, and used in every language.

### Watched to the end

The third layer is audio. Where a video is eligible, YouTube’s own automatic dubbing can add a second audio track, and those dubs cannot be edited. A track produced for a pilot is a scoped option, agreed in writing with the voice permissions it needs. No dubbed audio exists on this site.

[Open the full proof](/example/)

Done for you

## Three things you do. Everything else, we do.

Everything below is scoped per pilot and written into the agreement before work starts. You make zero new videos, and your English channel carries on untouched.

### What you do

- Grant scoped access, in writing, to what the publication plan needs, revocable by you.

- Sit for one interview about your voice and your terminology.

- Approve the sample your community judged, and give written acceptance before anything is published.

### What a pilot covers

- On YouTube: a localised title, description and thumbnail text, and captions timed to the cut, in each of the sixteen languages, for the one video the pilot covers.

- Where a video is eligible, YouTube’s own automatic dubbing can add a second audio track, and those dubs cannot be edited. A track produced for a pilot is a scoped option, agreed in writing with the voice permissions it needs. No dubbed audio exists on this site.

- Publication on your channel or on separate language channels, decided per pilot, with a sponsor and rights review before the sample.

- For a course and community: the sales page and the video on it, the classroom rebuilt as a duplicated, access-gated course, and a language-native space, inside your group or as a separate group, decided per pilot and seeded with your existing bilingual members, opened language by language in the order your members ask for.

- A baseline taken before the rollout, and a measured result you read with us.

- After the pilot, the whole catalogue: every video or post you have already made, and every one that follows, in the languages your community signed off, as part of the agreed scope.

- Nothing lands on your team: no editing time, no upload work, no workflow change.

[Ask whether it fits](/enquire/)

The Tribe’s Verdict

## Your own members judge it first.

Before anything wider, one full video or lesson is localised into the sixteen languages to the agreed standard. The agreed reviewer for each language checks it against the written standard, and only then does it go to your own community. Their native-speaking members judge their language, and a language they do not sign off does not publish.

You decide before you are committed, on your members’ judgement rather than on our promises. Three commitments travel with every pilot and are written into its agreement: the Tribe’s Verdict, the Written Standard and the Keys Are Yours. The standard is one sentence: made for YouTube and for your audience, in your voice, in another language.

[Read the commitments](/second-premiere/#commitments)

How a pilot runs

## Five steps. Each one ends with your decision.

### 01 Fit review

Send a public link, the language your audience asks for most and a goal through the form. A person reviews fit and replies by email from admin@velocidub.com with a straight answer: yes, no or not yet, and why.

### 02 Scope and rights

Before any work starts we agree in writing what the pilot covers: the video, the sixteen languages, the assets, who reviews each language, what acceptance means, and which sponsor, music and source rights travel with it.

### 03 The Tribe’s Verdict

One full video or lesson, localised into the sixteen languages to the agreed standard and checked by the agreed reviewer for each language before anyone else sees it. Then it goes to your own community and their native-speaking members judge their language. A language they do not sign off does not publish; if none is signed off, the pilot does not go ahead.

### 04 Review and acceptance

The agreed reviewer checks meaning, terminology and timing against the clip in each language, and corrections to the agreed standard are part of the pilot. Acceptance is your written yes.

### 05 Measured rollout

The pilot goes live on the agreed publication plan and is measured against a baseline taken before it. You read the result with us and decide: continue into the whole catalogue, change or stop.

[Ask whether it fits](/enquire/)

## Two paths. One first step.

### Second Premiere

Evergreen YouTube creators

You already made the videos.

For channels whose income comes mainly from AdSense and sponsors. Every video you have already made is an asset you only monetised once. One proven video is premiered again in sixteen languages, judged by your own viewers first, then rolled out and measured against your baseline. Then the whole catalogue follows.

[Explore Second Premiere](/second-premiere/)

### Open Circle

Experts, educators and community creators

Your school, in their language.

For experts, educators, course and community creators with an offer that already converts in English. One discovery lesson is localised into sixteen languages, your own members judging each one first. Then the invitation, the classroom and a community space open behind it, language by language.

[Explore Open Circle](/open-circle/)

Before you enquire

## Straight answers.

### What happens after I send the form?

A receipt reference appears on screen; it proves the enquiry is saved. A person reads it and replies by email from admin@velocidub.com. Nothing is booked, nothing is charged, and your address goes on no list.

### Who is this not for?

Some creators, and the fit review says so plainly. If your offer does not convert in English yet, translating it makes it fail in sixteen more languages. If you will not grant scoped access in writing, the work cannot be done, and we do not do it half way. And if you want to skip the sample, this is not for you: your community’s verdict is the front of every pilot, not an optional extra.

### Why sixteen languages at once, and why not Chinese?

Because one language tells you about one audience, and a pilot is there to learn where your work travels. The sixteen were chosen for where YouTube’s audience is, and every one is a language YouTube can automatically dub an English video into. Chinese is not among them because YouTube is not available in mainland China, where most Chinese speakers are.

### What happens after the pilot?

That is the offer. Once your community has signed off, the agreement can cover your whole catalogue: every video or lesson you have already made and every one that follows, in the languages your community signed off, in order behind the first. Nothing lands on your team, and the Keys Are Yours applies to every asset.

### What does it cost?

It is agreed per pilot from three things: source minutes, review coverage and rights. The sixteen languages are the pilot, not a line item. There is no published rate, because a rate would have to ignore all three, and you would be paying for the average video instead of yours.

### Do I lose control of my channel?

No. Enquiring needs no credentials and no account access; a public link is enough. If a pilot goes ahead, any access is scoped to what the plan needs, agreed in writing and revocable by you. Nothing is published without your acceptance.

### Can you promise results?

No. We are not promising to make your content better, change your thumbnails or crack the algorithm; none of that is in our control. A result depends on your video, your audience and the platform, and a promise would be a forecast dressed as a fact. What we do promise is the mechanism: agreed scope, a sample your own community judges in every language, acceptance in writing and a rollout measured against your baseline. The measurement tells you whether to continue.

### Why not just use YouTube’s automatic dubbing?

Keep it on; it costs nothing. YouTube wrote in February 2026 that “Auto dubbing is now available to everyone, with an expanded library of 27 languages.” Where a video is eligible, YouTube’s own automatic dubbing can add a second audio track, and those dubs cannot be edited. A track produced for a pilot is a scoped option, agreed in writing with the voice permissions it needs. No dubbed audio exists on this site. What a dub cannot do is get a video found: that takes a title, description and thumbnail written for each audience, a review that decides terminology and sponsor lines, and a package you can edit line by line.

[Request a fit review](/enquire/)

Two choices

## So you either.

### Ask for a fit review

Send one link. Your own community judges the sample in sixteen languages, and you decide with the result in hand.

[Request a fit review](/enquire/)

### Change nothing

The videos stay as they are. The work is already done and already paid for; it is just sitting there, and the people who would have watched it keep not finding it.

## What would you premiere first?

One video or lesson, sixteen languages, and your community’s verdict first.

[Request a fit review](/enquire/)